In Avartin, buildings in the shape of triangular prisms weren’t preferred. This was because given limited land, triangles resulted in a significant waste of space. Consequently, in Avartin and many other parts of the external space constrained by physical limits, buildings were typically constructed as rectangular prisms, that is, cubes with six faces.2

Yet here, numerous spires in the shape of triangular prisms soared high. Space didn’t signify physical limitations in this realm, and more importantly, it was about inner meaning the shape embodied.0

Each angle represented the past, present, or future, or perhaps the old gods that have vanished, the evil gods they opposed, and the new gods that emerged in between. Alternatively, it could imply the logical structure of positive, negative, and the synthesis in spacetime, or metaphorically reflect the relationship between Avartin's external space, the magical space of inner space, and the Hall of Myriad Stars in between the two.0

Naturally, the three angles, not facing each other, could carry even more meanings according to the observer, as affirmed by the Constellations of the Hall of Myriad Stars.0

This place, where numerous triangular spires towered, was the Hall of Myriad Stars.0

Beneath the Hall of Myriad Stars, the Prairie of Beginnings...2